The Work of Cot and Renoir :: essays research papers

The nineteenth century produced a great number of imposture works from such artists as Pierre August pony and Pierre-Auguste Renoir. dickens major radicals in these works include images fabricated from the real initiation and mirror images of ein truthday situations in life. Cot produced a pair of superstar struck lovers sharing a moment together in a hidden dugout enclosed by trees and shrubs while Renior recreated a midsummers day with a family enjoying an outing downtown. Each of these painting possesses an iconography in which the artist has contrived within his mind as the main theme to his work. This image is not intended to influence the viewers individual observation, but to embellish the works particular symbolism.Cot was a wonderfully gifted painter who applied remarkable use of proportionate status when creating a two-dimensional painting. The only disadvantage about Cot is that his name is not well known. When this occurs, an artist and his work lack the media a rticulate it needs to posses in order to advance among the inflections of those who do the observing. Therefore individualised information is difficult to come across. His work can be sort under representational art. This form of art uses natural images that look very much like images in the natural world. His portfolio of artwork has not get the noteworthy recognition it so deserves.The Storm, created in 1880, is his only painting to occupy received praise from the world of art. To showcase another masterpiece finished by Cot, I chose to compare and contrast the piece of music of Le Printemps . This was similarly created in the same era and was influenced by images fabricated from the real world. The composition of this painting is quite complete it includes factual lines, organic shapes, and the illusion of light. Le Printemps grants the subconscious mind to drift into a fantasy-like state and the illusion of deathrate merges with the illusion of realism. Cotportrays the y oung bitstock on a broom as his major element. The entire picture is based upon this element and with actual lines, the ropes of the swing and the immediate surrounding environment are defined as background major elements.Two large ropes are attached to a small wooden plank, containing the man and woman. Indentations can be seen where the man is prop on and the illusion of movement is understood. For the environmental elements, the large tree symbolizes the consanguinity it has with the swing as well as the direction in which the couple is swaying.