Allen Ginsberg :: essays research papers

Allen Ginsberg started his infamous life as a subverter and poet of the beat generation when he began attending Colombia University. While at Colombia Ginsberg met friend and mentor Jack Kerouac whom he would later join to rebound the School of Disembodied Poets. During his education at Colombia University Ginsberg started his highly political and authoritative poems, which would become his signature for the beat generation. The poetry he produced would become the terra firma of protest and due to this and his strong political presence Ginsberg earned himself a spot on the FBIs dangerous list.Ginsbergs poems were that of a revolutionary and showed his dislikes of American Society and the Injustices throughout America. Ginsbergs most recognized and an early poem was roar and other poems written in 1956 (Ostriker 4). Howl organism one of Ginsbergs most infamous poems has been translated to the T. In Alicia Ostrikers review article of Howl she relates Ginsbergs Meloch in part two of Howl to umpteen of the evils that befall this nation today (5). Ostriker states, Ginsbergs mind forged Meloch to a fault as oppressiveness of a modern industrial and military state, excluded from reason. Ginsbergs Meloch is as well the modern version of Mammon, the capitalism of unobtainable dollars running notes electricity and banks. (7). Howl records in veiled fashion, the humiliation and crippling of a population of immigrants to shores, which promised, hope and produced despair (3). In the poem Howls (1956) first lines, I saw the best minds of my generation destroyed by madness, starving hysterical naked dragging themselves through the Negro streets at dawn looking for an angry fix. (Ginsberg, Howl) Ginsberg is speaking of the destruction that drugs have caused in American Society and Americas addiction to drugs. Ginsberg also describes the members of his fellowshipWho distributed supercommunist pamphlets in Union Square and undressing while the sirens of Los Alomos w ailed them down, and wailed down Wall, and the Staten Island Ferry also wailed, who broke down crying in white gymnasiums naked and misgiving before the machinery of other skeletons,Who bit detectives in the neck and shrieked with channel in police cars for committing no crime but their own wild cooking pederasty and intoxication (Ginsberg, Howl)In Levi Ashers review of Howl he describes these lines as Ginsbergs fellow travelers, the crazy, lonely members of his community of misapprehend poet artists, unpublished novelists, psychotics, radicals, pranksters, sexual deviants, and junkies (Asher 1).